Chủ Nhật, 17 tháng 5, 2020

Fuji and Film camera series (FFC): Film simulation

Film Simulation Settings:

  • Classic Chrome
  • Dynamic Range: DR400
  • Highlight: -1
  • Shadow: +2
  • Color: -2
  • Sharpening: +2
  • Noise Reduction: -4
  • Grain: Weak
  • White Balance: 6300K, -1 Red & -4 Blue
  • Exposure Compensation: +2/3 to + 1-1/3 (typically)
This film simulation is my go-to. It gives you a satisfying ‘snap’ in the contrast, particularly in the shadows and blacks, but it doesn’t obliterate shadow detail like the default Classic Chrome.
It plays great in daylight – muted blue skies look eventually vintage and clipped highlights bloom softly instead of a sharp transition to harsh whites – and at night, thanks to the yellow-leaning white balance and grain against artificial lighting and higher ISOs, you get a warm, fuzzy look instead of a pushed-too-far digital feel.
Note though that this is not a saturated, color-forward recipe. If your usual shooting style leans vivid and bright, Kodacolor likely won’t be to your taste.

Best Street Fuji Film Simulation: Urban Vintage Chrome Recipe

Film Simulation Settings:

  • Classic Chrome
  • Dynamic Range: DR200
  • Highlight: 0
  • Shadow: +2
  • Color: -4
  • Sharpening: 0
  • Noise Reduction: -4
  • Grain: Weak
  • White Balance: 4300K, -1 Red & -3 Blue
  • Exposure Compensation: +2/3 to + 1-1/3 (typically)
Ideal for an industrial, alien feel, these settings give a look somewhere between vintage, contemporary, and futuristic – think palewave Petra Collins. Because it’s so cool and desaturated, it works great for toning down vibrant blue skies, enhancing the texture of metals and concrete, and highlighting composition over color.
It should be noted that this Fuji recipe can do some pretty strange things to skin tones. In certain contexts or editorials built around the cool grey look, this can be fairly striking. For random snap shots, probably less so. Use this recipe wisely!

Best Fuji Film Simulation for Landscape: Kodak Ektar 100 Recipe

P2017611.JPG

Film Simulation Settings:

  • Classic Chrome
  • Dynamic Range: DR200
  • Highlight: +1
  • Shadow: +2
  • Color: -+4
  • Sharpening: 1
  • Noise Reduction: -3
  • Grain: None
  • White Balance: Auto, +3 Red & -1 Blue
  • Exposure Compensation: -2/3 (typically)
This medium-contrast, ultra-saturated simulation plays gorgeously with warmer tones, and it’s a great way to gloss your images with a 70’s-feeling fuzz without sacrificing immediate visual impact by washing out the black tones. The Ektachrome simulation is ideal for rich, warm landscapes, 90’s-throwback portraiture, or any time you want to breathe life back into super-flat lighting.
One thing to be aware of when using this recipe is that it’s a very different beast in high-contrast settings like a high-noon sun than it is on an overcast day. The images featured here were taken on a rainy photowalk, but if you’re interested in using this simulation in broad daylight, you may want to bump down the Color setting by one notch to prevent every color from becoming over-saturated.

Best Fuji Film Simulation for a Rainy Day: Fuji Superia 800 Recipe

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Film Simulation Settings:

  • PRO Neg. Std
  • Dynamic Range: DR200
  • Highlight: +1
  • Shadow: +2
  • Color: +4
  • Sharpening: 1
  • Noise Reduction: -3
  • Grain: Strong
  • White Balance: Auto, -2 Red & -3 Blue
  • Exposure Compensation: -2/3 (typically)
This recipe faithfully emulates the green fuzz of the original Superia 800 filmstock, giving special love to yellow and skin tones. Blacks are crushed, muted, and slightly lifted for a warm analog feel, and grain is pushed to the max to smooth out any harsh digital luminosity transitions.
The exposure compensation on this film simulation matters more than most. Overexposure gives you a bright, air, desaturated feel, whereas darker photographs become ultra-moody. This simulation tends to break down a bit in artificial lighting, so plan to leverage soft daylight if possible.